Drones and UAVs in cinematography and film production

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Unmanned aerial vehicles have surely facilitated many of our daily tasks. Today, we have Amazon Prime Air, an aerial transport service for drones and CyberHawk, a live drone inspection service. Both show the evolution of drones. Although drones have been used in various industries, their contribution has not yet reached their optimal potential. However, this may not be the case in film production and film production, an industry in which drones have become a mainstay of real estate production in recent years.
In the era of billion-dollar blockbusters and computer-generated images, it’s essential to get great photos when making a movie. Drones help filmmakers do just that. It is fair to say that they have changed the way directors film movies. Using drones, today’s filmmakers can shoot impossible shots. Modern drones are easy to use. They are simple enough for filmmakers accustomed to remotes and joysticks to capture great photos. Drones made it easy to perform techniques such as aerial and crane fire if you are a good drone pilot. Especially because the cameras attached to the drones are equipped with three axes of stability, which guarantees almost a perfect shot, even if you are not as good as a pilot.
The cinematic possibilities are great and the sky is the limit. Recently, in a segment of Good Morning America, a company called DJI, which manufactures drones for the cinema, showed images taken by an unmanned aircraft of an erupting volcano in Iceland. Before the introduction of the drones, this sequence was almost impossible to take. It was too risky for humans and too far for satellites, which had neither the lens nor the angle to capture such unique images. The sequence looked like a documentary of natural science. It was of the same quality as the images taken by the cameramen.
DJI, owned by Chinese drone master Frank Wang, announced on April 17 the launch of the most powerful drone ever used in the field of cinematography, the Matrix 600. A short online video was broadcast demonstrating the power of this new drone. The video featured a director of photography filming a martial arts scene using the drone in Beijing. The new Matrix 600 is compatible with a wide range of connectable cameras. It allows professional cameramen to use small DSLR cameras such as Canon, Panasonic, Black Magic, Sony, Nikon and large RED cameras as if they were on a handheld. The images presented were spectacular, to say the least.
Matrix 600 is just the beginning of a new line of powerful camera drones that are changing the very nature of cinematography as we know it. Previously, major film franchises such as James Bond’s Skyfall and the Harry Potter series used drones to film famous scenes. With the success of these filming techniques, we can only hope that at some point, flying drones and unmanned aerial vehicles will fully support the cinematography of the film, leaving the regular cameraman obsolete and reducing his role to Featured. Remote Control Fortunately for the film industry, filmmakers are by nature manipulators and learning new tricks is always in the public’s favor.
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